- A Brighter Summer Day (牯嶺街少年殺人事件, 1991), Edward Yang
- A post-colonial situation?
- A Tale of Love (1995), Trinh T. Minh-ha & Jean-Paul Bourdier
- A tribute to Luiz Rosemberg Filho
- Açucena (2021), Isaac Donato
- Alvorada (2004), Nuno Ramos
- Amazing World Remix (Mundo Incrível Remix, 2014), Gabriel Martins
- An interview with André Novais Oliveira
- An interview with Kleber Mendonça Filho and Juliano Dornelles
- Araby (Arábia, 2017), Affonso Uchôa & João Dumans
- Ava Yvy Vera – The Land of the Lightning People (Ava Yvy Vera – A Terra do Povo do Raio, 2017), Genito Gomes, Valmir Gonçalves Cabreira, Jhonn Nara Gomes, Jhonaton Gomes, Edina Ximenes, Dulcídio Gomes, Sarah Brites & Joilson Brites
- Bacurau (2019), Juliano Dornelles & Kleber Mendonça Filho
- Batguano (2014), Tavinho Teixeira
- Bedouin (Beduíno, 2016), Julio Bressane
- Beyond the future
- Brasilianas (1945-1974), Humberto Mauro
- By Your Side (Na Sua Companhia, 2012), Marcelo Caetano
- Cabra Marcado para Morrer (Twenty Years Later, 1984); Sobreviventes de Galileia (Galileia Survivors, 2014); Família de Elizabeth Teixeira (Elizabeth Teixeira’s Family, 2014), Eduardo Coutinho
- Caixa Preta (Black Box, 2022), Bernardo Oliveira & Saskia
- Carlos Adriano’s “cinepoemas”
- Carol (2015), Todd Haynes
- Cat Effekt (2010), Melissa Dullius & Gustavo Jahn
- Cat Skin (Couro de Gato, 1962), Joaquim Pedro de Andrade
- Certain Women (2016), Kelly Reichardt; I Had Nowhere to Go (2016), Douglas Gordon
- Change of Life (Mudar de Vida, 1966), Paulo Rocha
- Claire’s Camera (La caméra de Claire, 2017), Hong Sang-soo
- Come Drink With Me (大醉俠, 1966), King Hu
- Copacabana Mon Amour (1970), Rogério Sganzerla
- Creepy (クリーピー 偽りの隣人, 2016), Kiyoshi Kurosawa
- Crossing gazes in the cinema of João Pedro Rodrigues
- Fengming (He Fengming, 2007), Wang Bing
- France Is Our Mother Country (La France est notre patrie, 2015), Rithy Panh
- Good Manners (As Boas Maneiras, 2017)
- Goodbye to Language (Adieu au Langage, 2014), Jean-Luc Godard
- Happiness is the Acid Test (A Alegria é a Prova dos Nove, 2023), Helena Ignez
- Holy Tremor (Terremoto Santo, 2018), Bárbara Wagner & Benjamin de Burca
- Horse Money (Cavalo Dinheiro, 2014), Pedro Costa
- Housemaids (Doméstica, 2012), Gabriel Mascaro
- Housemaids (Doméstica, 2012), Gabriel Mascaro
- In the Shadow of Women (L’ombre des Femmes, 2015), Philippe Garrel
- Indiana Jones and the Kingdom of the Crystal Skull (2008), Steven Spielberg
- Iracema – Uma Transa Amazônica (1976), Jorge Bodanzky & Orlando Senna
- Island (Ilha, 2018), Ary Rosa & Glenda Nicácio
- Jealousy (La Jalousie, 2013), Philippe Garrel
- Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles (1975), Chantal Akerman
- Lacrimosa (1970), Aloysio Raulino & Luna Alkalay
- Last Conversations (Últimas Conversas, 2015), Eduardo Coutinho
- Le Quattro Volte (2010), Michelangelo Frammartino
- Limite (1931), Mário Peixoto
- Long Way Home (Temporada, 2018), André Novais
- Los Conductos (2020), Camilo Restrepo
- Lover for a Day (L’Amant d’un Jour, 2017), Philippe Garrel
- Measuring Change (2016), James Benning
- Moscow (Moscou, 2009), Eduardo Coutinho
- Mrs. Fang (方绣英, 2017), Wang Bing
- Mugunzá (2022), Ary Rosa & Glenda Nicácio
- Museum Hours (2012), Jem Cohen
- Ne Change Rien (2009), Pedro Costa
- Neighboring Sounds (O Som ao Redor, 2012), Kleber Mendonça Filho
- Neon Bull (Boi Neon, 2015), Gabriel Mascaro
- No Home Movie (2015), Chantal Akerman
- Nocturama (2016), Bertrand Bonello
- Nothing (Nada, 2017), Gabriel Martins
- Nũhũ yãg mũ yõg hãm: This Land is Our Land! (Nũhũ yãg mũ yõg hãm: Essa Terra é Nossa!, 2020), Isael Maxakali; Sueli Maxakali; Carolina Canguçu; Roberto Romero
- Oracle (Oráculo, 2021), Melissa Dullius & Gustavo Jahn
- Orixá Ninú Ilê (1978), Juana Elbein dos Santos
- Our Mother Was an Actress (Nossa Mãe Era Atriz, 2022)
- Pajeú (2020), Pedro Diógenes
- Pendulum (1976), James Nares
- Permanent contradiction: a conversation with Adirley Queirós
- Portraits of Identification (Retratos de Identificação, 2014), Anita Leandro
- Road do Ythaca (Estrada para Ythaca, 2010), Luiz Pretti; Ricardo Pretti; Pedro Diógenes; Guto Parente
- Semana dos Realizadores, 2009-2012
- Seven Years in May (Sete Anos em Maio, 2019), Affonso Uchôa
- Sieranevada (2016), Cristi Puiu / The Ornithologist (O Ornitólogo, 2016), João Pedro Rodrigues
- Song 23: 23rd Psalm Branch (1968), Stan Brakhage
- Soul in the Eye (Alma no Olho, 1973), Zózimo Bulbul
- Terror! (2007), Ben Rivers
- The Adventures of Paulo Bruscky (As Aventuras de Paulo Bruscky, 2010), Gabriel Mascaro
- The Day Was a Scorcher (2009, Ken Jacobs)
- The Irishman (2019), Martin Scorsese
- The Lines of My Hand (As Linhas da Minha Mão, 2023), João Dumans
- The monstrification of underdevelopment in contemporary Brazilian cinema: Ava Yvy Vera and Seven Years in May
- The Moving Creatures (O Que se Move, 2013), Caetano Gotardo
- The Priest and the Girl (O Padre e a Moça, 1966), Joaquim Pedro de Andrade
- The Process of Truth
- The Residents (Os Residentes, 2010), Tiago Mata Machado
- The Soul of the Bone (A Alma do Osso, 2004), Cao Guimarães
- The Two Irenes (As Duas Irenes, 2017), Fabio Meira
- The Umbrellas of Cherbourg (Les Parapluies de Cherbourg, 1964), Jacques Demy
- The Wayward Cloud (天邊一朵雲, 2005), Tsai Ming-liang
- The words and the others
- Tie Xi Qu: West of the Tracks (2003), Wang Bing
- Under the Shadow (2016, زیر سایه), Babak Anvari
- Voyeuristic (Voyerístico, 2018), Jonathas de Andrade
- Walker (2012), Tsai Ming-liang
- Western (2017), Valeska Grisebach